
Gari Hatch
An artist and poet.
Occupation: Paint and Write
Location: Morton, Mississippi
His ProfilesRankThis is the rank of 'Gari Hatch' out of all Google+ Profiles.: 6,441 (GenderRankFor the gender 'Men'.: 3,670)
His ProfilesRankThis is the rank of 'Gari Hatch' out of all Google+ Profiles. in United States: 1,986 (GenderRankFor the gender 'Men'.: 1,291)
His CircleRankThis is the rank of 'Gari Hatch' out of all indexed profiles and pages at CircleCount.com.: 10,474
Followers: 10,364
Following: 4,780
Cream of the Crop: 07/27/2012
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Activity
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Latest postings
2013-05-20 12:33:39 (1 comments, 1 reshares, 11 +1s)
"It's a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it." by the poet, W.H. Auden

2013-05-19 21:08:55 (2 comments, 1 reshares, 8 +1s)
Sculpted Textural Painting:
8” x 10” in 13.5” x 16.5” mat & frame under glass
Acrylic on sculpted card stock embedded in acrylic plaster
"The Dermis Layer"
Underneath
the flap
that
bends,
embedded
in
the sculpted fold,
there
inside
the dermis layer,
triangulate
the
crusted care.
Hide
within
the alien form,
until
the
ribbon split
flies toward morn.
Gari Hatch
11-14-2011

2013-05-18 18:00:40 (7 comments, 2 reshares, 13 +1s)
Modern Sculpted Wire Painting:
8" x 10" in 14.5" x 17.5" mat and frame under glass
Scupted copper wire with acrylic on canvas
"A Trapeze Act"
A ribbon of wire, twisted shapes,
mounted to the canvas face.
Embolden strokes of purple and blue,
sienna and ochre give a different hue.
Dare to paint the strokes with force,
still light as air, they sweep the course.
And up above the flying wire,
a trapeze act that can inspire.
Throw a lasso to the acrobats,
watch them swoop on the circus tract.
Gari Hatch
02-22-2009

2013-05-17 23:39:07 (2 comments, 0 reshares, 2 +1s)
Please support me and my pursuit of art on the website See.me and share it with our friends. Join See.me and you will be blown away by the painters, photographers, musicians and more! The more supporters that I have the greater are my prospects of sustaining my role as an artist financially. https://garihatch.see.me/

2013-05-17 17:52:36 (5 comments, 0 reshares, 10 +1s)
Modern Painting:
8" x 10" in 14.5" x 17.5" mat and frame under glass
Acrylic painting with two dove feathers on art board
"The Scarlet Swoon"
See the sliver, see the slip,
all the colors in descent.
Winged and flapping in a soar,
nose-dive plumage, a feathered lore.
The scarlet swoon, calypso blue,
an ochre rudder on a hazy tide.
Ribbon limbs swoop to find,
a lifting current that will be kind.
Mythic creature streaking by,
holding court within the sky.
Gari Hatch
07-19-2008

2013-05-16 22:52:52 (2 comments, 3 reshares, 12 +1s)
These are three of my small sculptures.
The poem is about the grid sculpture in the middle.
"Sculpt the Matrix"
Transport me to the inner cells,
along the grid within the well.
Sculpt the matrix, cubicle plane,
does geometry know my name?
Monolith, metallic wall,
climb, climb, if you hear the call?
An odyssey to deeper space,
equation to a hiding place.
Gari Hatch
04-29-2011


2013-05-16 16:01:28 (11 comments, 0 reshares, 14 +1s)
Painting and Poem Handwritten Journal Entry for 01-15-2009:

2013-05-15 14:25:56 (5 comments, 2 reshares, 14 +1s)
I just finished this painting and poem early this morning.
Modern Painting:
7” x 5” in 10” x 8” mat
Acrylic on art board
“In the Vortices”
Painted creatures
in
the spin,
around
the unseen Maypole,
they begin.
Tied
to
the dangled dance,
in
the vortices,
a knotted trance.
Like
dervishes
outstretched in black,
celebrate the swirl
on
the inward track.
Gari Hatch
05-15-2013


2013-05-14 14:41:40 (3 comments, 1 reshares, 8 +1s)
Painting and Poem Handwritten Journal Entry for 12-22-2007:

2013-05-14 01:10:01 (11 comments, 1 reshares, 14 +1s)
Sculpture: Height 12”, Width 9”, Depth 3”
Sculpture materials: Red-headed Woodpecker skull,
four dove feathers, metal wire, two
Sycamore tree branches and wooden box
(Archival Collection)
"Skeleton Bird"
From organic means a sculpture grows,
with a bird skull, it begins to know.
Them bones, them bones, they hop again,
through branch and stem, on lifted wind.
Form a structure where it can stand,
with beak and feather revive the dead.
Raise your wings on black and white,
the skeleton bird dances all night.
Gari Hatch
03-02-2011

2013-05-12 01:27:25 (4 comments, 1 reshares, 15 +1s)
Here is another photograph of my latest sculpted textural painting with one my sculptures by it. I activated the flash on the camera with this capture. It conveyed more blues in the magenta and less of the red violet spectrum in it. These are the differences between low lighting and flash lighting.

2013-05-11 18:18:00 (4 comments, 1 reshares, 13 +1s)
Sculpted Textural Painting:
8” x 10” in 14.5” x 17.5” mat and frame under glass
Acrylic on sculpted acrylic plaster
“Find the Eddy”
In the place
that
undulates,
on
a landscape
pushed by winds,
find the eddy
in
the curve,
where the current
rides
the swerve.
On the ripple
of
the hills,
remind me
how
a painting heals.
Does the texture
whisper
low,
in
the valley
where we go?
Gari Hatch
06-03-2012

2013-05-10 15:24:45 (15 comments, 1 reshares, 14 +1s)
I finished my latest painting and poem early this morning.
Sculpted Textural Painting:
20” width x 16” height (unframed)
Acrylic on sculpted paper embedded
in sculpted acrylic plaster
“Studies in Deep Magenta”
In
deep magenta,
feelers
reach,
while the whole
tumbles
in
the drape.
Swim the surface,
raise
your fins,
a painting’s skin
crawls
the thin.
Follow the movement
in
the plane’s raise,
under the folds
hides
inner space.
Gari Hatch
05-10-2013

2013-05-09 00:42:53 (1 comments, 0 reshares, 11 +1s)
05-08-2013: Third day and the last rays of sunlight coming through the window on my latest work. A few more subtle changes to the surface today and tomorrow comes the paint…


2013-05-08 03:26:41 (5 comments, 1 reshares, 15 +1s)
Painting and Poem Handwritten Journal Entry for 06-29-2010:

2013-05-07 17:13:05 (5 comments, 1 reshares, 18 +1s)
05-07-2013: Second day of work on my latest sculpted textural painting. The progression continues… Some things tumble in the drape, they drift and float to find their way…

2013-05-06 00:18:53 (6 comments, 3 reshares, 12 +1s)
Sculpted Textural Painting:
8" x 10" in 15" x 17.5" mat and frame under glass
Acrylic on sculpted paper embedded
in scored and chiseled acrylic plaster
"Red Napkins"
Folded napkins, sculpted cloth,
pressed and framed for dinner guests.
Shaped and starched to surprise us all,
they wait for hands to make them fall.
But while their placed in the dinner hall,
this origami fabric leaves much to awe.
They wait for lips to kiss their weave,
shake loose this form, to eat and leave.
Gari Hatch
11-28-2008

2013-05-04 15:57:42 (7 comments, 0 reshares, 11 +1s)
Abstract Floral Painting:
8” x 10” in 12.5” x 15.5” mat & frame
Acrylic on art board
Painted on: 10-03-2005
(Archival Collection)
"A Blur of Tulips"
A blur of tulips in the field,
their silhouettes are vibrant still.
The colors divide in softer hues,
the petals drink the heavy dews.
The focus lost on something rare,
the form of flowers beyond compare.
Such morning hours smudge the line,
when pallets shine the undefined.
Gari Hatch
12-02-2007

2013-05-03 15:15:09 (5 comments, 0 reshares, 10 +1s)
05-03-2013: Early morning hours on a gray rainy day with canvas and paintbrush at my art-drafting table in my home surrounded by Bienville National Forest.
Art quote for the day:
“Writing, painting, singing--it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.” ― Ally Condie, Reached


2013-05-02 16:35:38 (7 comments, 2 reshares, 18 +1s)
A new poem with a segment of one of my paintings.
“Deflection’s Haste”
Where does the skirmish
begin
to gnaw,
does confession spur
the need
to
flaw?
Can brokenness
inhibit
all
or
does grace recover
those who fall?
Shun,
it comes
in
such small ways,
building layers
in
deflection’s haste.
Judgments rushed
without
a plea,
stones thrown
at
those in need.
Gari Hatch
05-02-2013

2013-05-01 21:13:55 (2 comments, 3 reshares, 14 +1s)
Sculpted Textural Painting:
14” x 11” in 19” x 15” mat & frame
Acrylic on sculpted plaster
"The Red Winds of Mars"
The painted winds, the burning sand,
red and fierce, they stir the land.
The eddies spiral, magenta curls,
on the surface, crimson hurl.
A streak of ochre, the amber grain,
dust remembers beauty’s plain.
The sweeping spill that claims the brush,
the burnished lines that give the rush.
Silica invades the gazing eyes,
still the hand casts the dyes.
Gari Hatch
05-20-2007


2013-05-01 02:24:14 (8 comments, 2 reshares, 9 +1s)
Painting and Poem Handwritten Journal Entry for 12-22-2012 and 12-24-2012:

2013-04-30 02:43:05 (4 comments, 2 reshares, 13 +1s)
Modern Painting:
5” x 7” in 8” x 10” mat
Acrylic on art board
“They Swim the Soft”
Some things
arch
to
find their way,
they drape themselves
inside
the bow.
They swim the soft
toward
the light,
slivered fragments
of
the night.
Can you follow
where
they guide,
under the belly
to
the slender side?
Gari Hatch
04-29-2013

2013-04-29 18:27:33 (4 comments, 0 reshares, 8 +1s)
Paintings and poems by Gari Hatch on Google +
http://www.googleplussuomi.com/timelinetest.php?googleid=101626026703546245340&limit=100


2013-04-28 19:32:42 (8 comments, 3 reshares, 13 +1s)
Painting and Poem Handwritten Journal Entry for 09-20-2012:

2013-04-27 17:57:35 (11 comments, 4 reshares, 21 +1s)
This is one of my early paintings when my father became
ill in August 2006. I wrote the poem when he died in October 2006.
It was sad eyes for a sad time…
I have kept true to his charge to me. “Take care of your mother…”
Modern Painting:
18” x 22” in frame
Acrylic on art board
Painted on: 08-18-2006
(Archival Collection)
"Does Sorrow Leave Us"
What worlds of grief have borne this name?
What shadow lands were walked in pain?
Did life abandon this broken one,
and leave this place with all undone?
How can one know the course to take,
when all around, the heart does break?
Does sorrow leave us far and wide,
without a place where we can hide?
Then with our tears, we lift our face,
and ask for strength and yes, for grace.
Gari Hatch
